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Every Mother's Son

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Iris Baez, a Puerto Rican from the Bronx, never meant to become an activist. Kadiatou Diallo never meant to leave her home in Africa and move to the U.S., to fight for justice for her son. Doris Busch Boskey, a Jewish woman from the suburbs, never thought she'd be become a spokesperson against police brutality. This film profiles three women from very different walks of life who find themselves united to seek justice after their sons are unjustly killed by police.

Anthony Baez died during a football game when an officer put him in an illegal chokehold. Amadou Diallo was unarmed when he was shot at 41 times by police in his doorway. Gary (Gidone) Busch was pepper-sprayed and shot to death while holding a small hammer, though witnesses said he posed no threat. Their stories are tragic and the courage shown by the mothers heroic. As one witness says, "As long a there's a mother, we'll continue to fight."
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Streaming - 5 Years, Institutional (Education / Nonprofit) $ 350.00

License Period:  5 years
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens and projection
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Streaming - 3 Years, Institutional (Education / Nonprofit) $ 200.00

License Period:  3 years
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens and projection
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Streaming - 7 Years, Institutional (Education / Nonprofit) $ 475.00

License Period:  7 years
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens and projection
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Streaming - 3 Years, K-12 $ 175.00

License Period:  3 years
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens and projection
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License Period:  14 days (beginning at time of purchase)
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens and projection
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Streaming - 21 days, Individual Use Only $ 4.99

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License Period:  21 days (beginning at time of purchase)
Running Time:  52:40
Closed Captioned:  Yes
Video Resolution:  Appropriate for small screens only
"Every Mother's Son brilliantly illustrates the capacity human beings have to overcome our pain by bearing witness, by finding the power to speak out against police violence and misconduct ... a masterpiece of contemporary documentary filmmaking."
Manning Marable, Director
Center for Contemporary Black History
Columbia University

"My husband and I watched the video and thought it was wonderful. The courage and dignity with which the mothers transcended their personal tragedies to pursue justice is moving and inspiring. The film eloquently makes the point that change is made by regular people working together and supporting each other. It will be an essential teaching tool in academic and community settings. Despite the sadness of the situations and the outrageous behavior of the police and the public officials, the film gives us hope."
Marlene Fried, Director
Civil Liberties and Public Policy Program
Hampshire College

"Every Mother's Son is a powerful film that puts viewers in the place of police brutality victims, engaging them in one of the most important social issues of our time."
Paul Chevigny, Professor of Law
New York University

"With Every Mother's Son, Tami Gold and Kelly Anderson have created an impassioned portrait of women's courage and grassroots activism in urban America today. Iris Baez, Kadiatou Diallo and Doris Busch Boskey, whose sons were brutally killed by New York City police, are three very different women bound together by a common sorrow and injustice. By showing how three "ordinary" women turn anger and personal tragedy into fuel for social change, Gold and Anderson have given teachers of Women's Studies, Race and Ethnic Studies and Criminal Justice a precious tool for inspiring our students in a harshly conservative climate. This is one of the most brilliant and unforgettable documentaries I have seen in these dark days."
Rosalind Petchesky, Distinguished Professor of Political Science
Hunter College (CUNY)

"Every Mother's Son achieves remarkable intimacy and depth around a controversial topic, and helps us to wrestle with this important issue. Every library should have it in their collection and build a film and discussion program around it!"
Pamela Groves,Youth Services Librarian
Princeton Public Library (Princeton, NJ)

"This excellent film provides a sharp picture of how ordinary women of different backgrounds come to political voice through the shared tragic circumstance of the loss of a son. We see repeatedly the many effects, both intended and unintentional, of the aggressive policing that characterized Rudolph Guiliani's New York. There, police killings of innocent civilians transformed mothers into activists, catapulting everyday citizens to extraordinary action. This film sheds a unique light on the ironies of women's relationships to the state as mothers. Private roles become public identities and personal grief engenders political missions. If this film teaches students how motherhood can become a political tool, it also sheds light on the especial vulnerability of young men, notably minorities and the mentally ill, at the hands of a macho regime."
Lara Kriegel, Asst.  Professor of History
Florida International University

"This film about three ordinary mothers forced to become extraordinary activists after their sons were killed by the police is powerful, heartbreaking, and ultimately transforming. The story of their sons' lives and deaths, told through the hearts and minds of their mothers, makes real not only the tragedy of police brutality, but the more tragic loss of the lives of Every Mother's Son. This film transforms victims into real people and makes it impossible to remain indifferent or inactive about the issue of police misconduct and excessive use of force."
Jill Nelson, Editor
Police Brutality: An Anthology

"Anyone who has lost a loved one in an inexpected instant knows how incapacitating such loss can be. The three ordinary moms in this documentary (whose sons -- Amadou Diallo, Anthony Baez, and Gideon Busch -- died in headline encounters with the NYPD) not only endure but emerged as leaders of the city's police-brutality resistance. Resurrecting the furious tension of Giuliani's New York, directors Kelly Anderson and Tami Gold humanize the consequences of a flawed system."
Chisun Lee
Village Voice

"Providing an intriguing perspective on unjust law coupled with strong, personal accounts of loss, Every Mother's Son is likely to remain with you long after you leave the theater."
San Francisco Bay Guardian
Kelly Anderson and Allison Lirish Dean <!-- /* Font Definitions */ @font-face {font-family:"?? ??"; mso-font-charset:78; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:1 134676480 16 0 131072 0;} @font-face {font-family:"?? ??"; mso-font-charset:78; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:1 134676480 16 0 131072 0;} @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1073743103 0 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-fareast-font-family:"?? ??"; mso-bidi-font-family:"Times New Roman";} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Cambria; mso-ascii-font-family:Cambria; mso-fareast-font-family:"?? ??"; mso-hansi-font-family:Cambria;} @page WordSection1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --> Kelly Anderson's most recent film is My Brooklyn, a documentary about gentrification and the redevelopment of Downtown Brooklyn, which she directed and produced. My Brooklyn premiered at the Brooklyn Film Festival, where it won an Audience Award for Documentary, and had a three-week sold out run at reRun Theater in Brooklyn. My Brooklyn was also screened at the Frankfurt Film Festival, the Belfast Film Festival, DocAviv (Israel), DOXA (Vancouver), the Architecture and Design Film Festival (New York, Los Angeles and Chicago) and This Human World Human Rights Film Festival (Vienna). Kelly’s other work includes Never Enough, a documentary about clutter, collecting and Americans' relationships with their stuff, which won an Artistic Excellence award at the Big Sky Documentary Festival. Kelly produced and directed (with Tami Gold) and edited Every Mother’s Son, a documentary about mothers whose children have been killed by police officers and who have become national spokespeople on police reform. Every Mother’s Son won the Audience Award at the Tribeca Film Festival, aired on POV, and was nominated for a national Emmy for Directing. In 2000 Kelly completed SHIFT, a drama for ITVS about the volatile relationship between a North Carolina waitress and a telemarketing prison inmate, which premiered at the Rotterdam International Film Festival and aired on selected PBS stations. Kelly's other documentaries include Out At Work (with Tami Gold), which screened at the Sundance Film Festival, was broadcast on HBO and won a GLAAD Award for Best Documentary.  She is an Associate Professor in the Department of Film and Media Studies at Hunter College (CUNY).

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